ARRAY2019 Media

Contributing person
datacite.contributor.ProjectLeader

Akkermann, Miriam

Contributing person
datacite.contributor.RelatedPerson

Gottfried, Rama

Contributing person
datacite.contributor.RightsHolder

All copyrights remains with the authors.

Contributing person
datacite.contributor.other

International Computer Music Association ICMA

datacite.description.SeriesInformation
datacite.description.SeriesInformation

ARRAY is the official Magazine of the International Computer Music Association ICMA

datacite.description.TableOfContents
datacite.description.TableOfContents

Evelyn Ficarra, Piano Bench Variations, Performance excerpts 2019 Concrescence 3. Studio live performance of the Machine Milieu project recorded in L'Aquila, Italy, in 2015.

Description of the data
datacite.resourceType

Media examples related to ARRAY2019

Type of the data
datacite.resourceTypeGeneral

Sound

Type of the data
datacite.resourceTypeGeneral

Image

Type of the data
datacite.resourceTypeGeneral

Audiovisual

Total size of the dataset
datacite.size

226184464

Author
dc.contributor.author

Akkermann, Miriam

dc.contributor.other
dc.contributor.other

The International Computer Music Association

Upload date
dc.date.accessioned

2019-12-05T10:25:05Z

Upload date
dc.date.accessioned

2026-05-19T12:39:44Z

Publication date
dc.date.available

2026-05-19T12:39:44Z

Data of data creation
dc.date.created

2019

Publication date
dc.date.issued

2019

Abstract of the dataset
dc.description.abstract

Editorial For the 2019 issue of Array, we focus on the idea of “Agency” in electronic and computer music, explored through the artistic and theoretical reflections of composers, performers, engineers, and musicologists. How do algorithms and artificial intelligences create a particular character through the decisions they make? How do we interpret the intention of nonhuman agents in the process of musical creation and analysis? Is it possible to tell the difference between the intention of outside agencies from a projection of our own biases? How does the surrounding context integrate into the work itself? The writings present a collection of contemporary approaches and perspectives from the field, examining topics ranging from the agency of digital signal processing and sonic analysis algorithms, to the design of inclusive instrument systems, object based composition, and aesthetic considerations on composition and performance in highly relational situations. In accompaniment to the printed issue, we are including this free download of media examples related to the texts.

Public reference to this page
dc.identifier.uri

https://opara.zih.tu-dresden.de/handle/123456789/2343

Public reference to this page
dc.identifier.uri

https://doi.org/10.25532/OPARA-45

dc.language
dc.language

eng

Publisher
dc.publisher

Technische Universität Dresden

Licence
dc.rights

Attribution-NonCommercial-NoDerivatives 4.0 International

URI of the licence text
dc.rights.uri

http://creativecommons.org/licenses/by-nc-nd/4.0/

Specification of the discipline(s)
dc.subject.classification

4::44::409

Specification of the discipline(s)
dc.subject.classification

4::44::408

Title of the dataset
dc.title

ARRAY2019 Media

dc.title.alternative
dc.title.alternative

Media_Array2019

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