The OPARA service was recently upgraded to a new technical platform. You are visiting the outdated OPARA website. Please use https://opara.zih.tu-dresden.de/ for new data submissions. Previously stored data will be migrated in near future and then the old version of OPARA will finally be shut down. Existing DOIs for data publications remain valid.
ARRAY2019_Media
AlternativeTitle: Media_Array2019
Metadata
Additional title | AlternativeTitle: Media_Array2019 | |
Other contributing persons, institutions or organisations | other - Funder | |
Other contributing persons, institutions or organisations | Akkermann, Miriam - ProjectLeader | |
Other contributing persons, institutions or organisations | Gottfried, Rama - RelatedPerson | |
Person(s) who is (are) responsible for the content of the research data | Akkermann, Miriam | |
Person(s) who is (are) responsible for the content of the research data | Akkermann, Miriam - TU Dresden | |
Abstract | Editorial For the 2019 issue of Array, we focus on the idea of “Agency” in electronic and computer music, explored through the artistic and theoretical reflections of composers, performers, engineers, and musicologists. How do algorithms and artificial intelligences create a particular character through the decisions they make? How do we interpret the intention of nonhuman agents in the process of musical creation and analysis? Is it possible to tell the difference between the intention of outside agencies from a projection of our own biases? How does the surrounding context integrate into the work itself? The writings present a collection of contemporary approaches and perspectives from the field, examining topics ranging from the agency of digital signal processing and sonic analysis algorithms, to the design of inclusive instrument systems, object based composition, and aesthetic considerations on composition and performance in highly relational situations. In accompaniment to the printed issue, we are including this free download of media examples related to the texts. | |
Series information | ARRAY is the official Magazine of the International Computer Music Association ICMA | |
Table of contents | Evelyn Ficarra, Piano Bench Variations, Performance excerpts 2019 Concrescence 3. Studio live performance of the Machine Milieu project recorded in L'Aquila, Italy, in 2015. | |
Language | eng | |
Year or period of data production | 2019 | |
Publication year | 2019 | |
Publisher | Technische Universität Dresden | |
Publisher | The International Computer Music Association | |
References on related materials | IsPartOf: 123456789/1655 (Handle) | |
Content of the research data | Image, Sound, Audiovisual: Media examples related to ARRAY2019 | |
Other specification of usage rights | For private use only. | |
Holder of usage rights | Technische Universität Dresden | |
Holder of usage rights | All copyrights remains with the authors. | |
Usage rights of the data | CC-BY-NC-ND-4.0 | |
Additional precise description of discipline | Computer music, Electro-acoustic music, music technology, composition, sound art | |
Discipline(s) | Computer Science | de |
Discipline(s) | Information Technology | de |
Discipline(s) | Arts and Media | de |
Discipline(s) | Other | de |
Title of the dataset | ARRAY2019_Media |
Files in this item
This item appears in the following Collection(s)
-
Medienbeilage zu ARRAY2019 [1]
Medienbeilage zu ARRAY2019 Magazin der International Computer Music Association ICMA