The OPARA service was recently upgraded to a new technical platform. You are visiting the outdated OPARA website. Please use https://opara.zih.tu-dresden.de/ for new data submissions. Previously stored data will be migrated in near future and then the old version of OPARA will finally be shut down. Existing DOIs for data publications remain valid.

Zur Kurzanzeige

AlternativeTitle: Media_Array2019

Metadaten

Ergänzende TitelAlternativeTitle: Media_Array2019
Weitere mitwirkende Personen, Institutionen oder Unternehmenother - Funder
Weitere mitwirkende Personen, Institutionen oder UnternehmenAkkermann, Miriam - ProjectLeader
Weitere mitwirkende Personen, Institutionen oder UnternehmenGottfried, Rama - RelatedPerson
Für den Inhalt der Forschungsdaten verantwortliche Person(en)Akkermann, Miriam
Für den Inhalt der Forschungsdaten verantwortliche Person(en)Akkermann, Miriam - TU Dresden
KurzbeschreibungEditorial For the 2019 issue of Array, we focus on the idea of “Agency” in electronic and computer music, explored through the artistic and theoretical reflections of composers, performers, engineers, and musicologists. How do algorithms and artificial intelligences create a particular character through the decisions they make? How do we interpret the intention of nonhuman agents in the process of musical creation and analysis? Is it possible to tell the difference between the intention of outside agencies from a projection of our own biases? How does the surrounding context integrate into the work itself? The writings present a collection of contemporary approaches and perspectives from the field, examining topics ranging from the agency of digital signal processing and sonic analysis algorithms, to the design of inclusive instrument systems, object based composition, and aesthetic considerations on composition and performance in highly relational situations. In accompaniment to the printed issue, we are including this free download of media examples related to the texts.
Informationen zur SerieARRAY is the official Magazine of the International Computer Music Association ICMA
InhaltsverzeichnisEvelyn Ficarra, Piano Bench Variations, Performance excerpts 2019 Concrescence 3. Studio live performance of the Machine Milieu project recorded in L'Aquila, Italy, in 2015.
Spracheeng
Entstehungsjahr oder Entstehungszeitraum2019
Veröffentlichungsjahr2019
HerausgeberTechnische Universität Dresden
HerausgeberThe International Computer Music Association
Referenzen auf ergänzende MaterialienIsPartOf: 123456789/1655 (Handle)
Inhalt der ForschungsdatenImage, Sound, Audiovisual: Media examples related to ARRAY2019
Eigene Spezifikation der NutzungsrechteFor private use only.
Inhaber der NutzungsrechteTechnische Universität Dresden
Inhaber der NutzungsrechteAll copyrights remains with the authors.
Nutzungsrechte des DatensatzesCC-BY-NC-ND-4.0
Nähere Beschreibung der/s Fachgebiete/sComputer music, Electro-acoustic music, music technology, composition, sound art
Angabe der FachgebieteComputer Sciencede
Angabe der FachgebieteInformation Technologyde
Angabe der FachgebieteArts and Mediade
Angabe der FachgebieteOtherde
Titel des DatensatzesARRAY2019_Media


Dateien zu dieser Ressource

Thumbnail
Thumbnail

Die Datenpakete erscheinen in:

Zur Kurzanzeige