The OPARA service was recently upgraded to a new technical platform. You are visiting the outdated OPARA website. Please use https://opara.zih.tu-dresden.de/ for new data submissions. Previously stored data will be migrated in near future and then the old version of OPARA will finally be shut down. Existing DOIs for data publications remain valid.
ARRAY2019_Magazine
Metadata
| Other contributing persons, institutions or organisations | Gottfried, RAMA - Other | |
| Person(s) who is (are) responsible for the content of the research data | Akkermann, Miriam | |
| Abstract | For the 2019 issue of Array, we focus on the idea of“Agency”in electronic and computer music, explored through the artistic and theoretical reflections of composers, performers, engineers, and musicologists. How do algorithms and artificial intelligences create a particular charac- ter through the decisions they make? How do we interpret the intention of nonhuman agents in the process of musical creation and analysis? Is it possible to tell the difference between the intention of outside agencies from a projection of our own biases? How does the surrounding context integrate into the work itself? The writings present a collection of contemporary approaches and perspectives from the field, examining topics ranging from the agency of digital signal processing and sonic analysis algorithms, to the design of inclusive instrument systems, object based composition, and relational aesthetics. This issue is accompanied by a set media examples: http://dx.doi.org/1 0.25532/OPARA-45 | |
| Series information | This Magazine is published by the International Computer Music Association ICMA | |
| Table of contents | Editorial by Rama Gottfried and Miriam Akkermann........p. 3 Feeling Like an Agent by Ritwik Banerji......................p. 4 Intimacy with Objects by Heather Frasch...............................p. 8 Initial Remarks on Analyzing Acousmatic Music from the Perspective of Multi-agents by Kıvanç Tatar..............p. 11 Instrument Environments Andrea Neumann in conversation with Rama Gottfried...............................................p. 17 Hand/Cup/Stone by Evelyn Ficarra .................................................................p. 23 Defining Ecosystemic Agency in Live Performance. The Machine Milieu Project as Practice-Based Research by Agostino Di Scipio and Dario Sanfilippo.................................p. 28 In Memorium: Dexter Morrill by Chris Chafe..........................................p. 44 In Memorium: Mark Ballora by Dafna Naphtali and Margaret Schedel.................................................p. 45 Diversity Statement by ICMA....p. 49 | |
| Additional keywords | computer music | |
| Language | eng | |
| Year or period of data production | 2019 | |
| Publication year | 2019 | |
| Publisher | International Computer Music Association ICMA | |
| References on related materials | IsPartOf: 123456789/1657 (Handle) | |
| Content of the research data | Text: Magazine | |
| Holder of usage rights | All rights remain with the authors. | |
| Usage rights of the data | CC-BY-NC-ND-4.0 | |
| Discipline(s) | Computer Science | de |
| Discipline(s) | Arts and Media | de |
| Title of the dataset | ARRAY2019_Magazine |
Files in this item
This item appears in the following Collection(s)
-
ARRAY2019_Magazine [1]
For the 2019 issue of Array, we focus on the idea of“Agency”in electronic and computer music, explored through the artistic and theoretical reflections of composers, performers, engineers, and musicologists. How do algorithms and artificial intelligences create a particular charac- ter through the decisions they make? How do we interpret the intention of nonhuman agents in the process of musical creation and analysis? Is it pos- sible to tell the difference between the intention of outside agencies from a projection of our own biases? How does the surrounding context inte- grate into the work itself? The writings present a collection of contemporary approaches and per- spectives from the field, examining topics ranging from the agency of digital signal processing and sonic analysis algorithms, to the design of inclusive instrument systems, object based composition, and relational aesthetics. This issue is accompanied by a set media examples: http://dx.doi.org/1 0.25532/OPARA-45